Adorno and Horkheimer believe that the “culture industry” has
demonstrated an “assembly line character” which can be seen in the artificial, intentional
method of churning out its produce. Their “culture industry” term comes from
the belief that the way in which cultural items were manufactured was akin to
how other industries produce immense quantities of consumer goods. Adorno and
Horkheimer link this idea of “culture industry” to an ideal of “mass culture”
to which cultural production has become a standardized routine. The operation
is so repetitive and homogenous that it produces unchallenging cultural merchandises
which in turn result in a type of consumption that was also homogenous, passive
and distracted.
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